WHEN THE CLOCKS STRUCK THIRTEEN (April)

I finished off last month’s two-part look back at the singles chart of 1984 with a degree of pessimism that 1984 wasn’t really shaping up to be a vintage year judging by the quality of new entries in the month of March.  Will the four charts to fall in the month of April offer any rays of sunshine?

1-7 April

Lionel Richie was still saying Hello, and in the very confusing promo video, asking someone…..a blind woman much younger than himself….if it was him she was looking for.  Urgh.

Ballads were seemingly all the rage among the mainstream as the highest new entry, at #26 belonged to Phil Collins with Against All Odds (Take A Look at Me Now).  Before the month was out, this one would be stuck at #2…..initially kept off the top spot by ole’ Lionel.

So far….so awful.  Thankfully, Bob and his boys offered some respite

mp3: The Cure – The Caterpillar (#31)

Or did they? Let’s be honest about things.  The Cure had given us some great singles in the early 80s and would do so from the mid-80s onwards.  But their sole 45 from 1984 is a bit meh….and indeed, the parent album The Top, is one which, while subject to positive reviews at the time, has come to be regarded as one of their less stellar offerings. The Caterpillar would spend seven weeks in the charts, peaking at #14.

mp3: The Psychedelic Furs – Heaven (#39)

Here’s one whose production values and techniques highlight it could only be from the 80s. I’ve a lot of time for a number of the early Psychedelic Furs material, but fourth album, Mirror Moves, from which Heaven was the lead-off single was where they began to lose me.  As I wrote many years ago in a previous posting on the band, I found myself wondering why it was that I once thought they were an important part of the alternative music scene in the UK in the early 80s when in fact they were really always a mainstream act bordering on the different.  Heaven would briefly break into the Top 30 the following week, and other than the later re-release of Pretty In Pink to tie-in with the film of that name, would be their best achieving 45.

mp3: Killing Joke – Eighties (#60)

I’m kind of surprised that I’ve never featured this before on the blog….but then again, it’s not actually a piece of vinyl I own.   Indeed, I don’t have too much by Killing Joke gathering dust on the shelves.  But this one, which was clearly ripped off a few years later by Kurt Cobain when he wrote Come As You Are, is a more than listenable number.  It spent five weeks in the chart, and by the look of things, sold roughly the same number of copies each and every week with chart positions of 60, 62, 61, 63 and 64.

mp3: Malcolm X and Keith Le Blanc – No Sell Out (#69)

On which samples of words spoken in speeches by the assassinated political activist were put to a hip hop beat.  The lack of radio play in the UK hindered sales, with it eventually reaching just #60.  It was, however, a mainstay of student union discos across the land.  Well, I certainly ensured it got played it on the occasional Thursday alt-night at Strathclyde.

mp3: Talk Talk – Such A Shame (#70)

The follow-up to It’s My Life which had peaked at #46 in January fared no better, staggering its way up to #49 in mid-April.  It did much better in other markets, reaching #1 in Italy and Switzerland, and #2 in Austria and West Germany.

8-14 April

I Want To Break Free by Queen was your highest new entry at #18.  I’ve nothing to add to that sentence. Next highest was from an electronic duo, many of whose earliest singles had excited me.

mp3: Orchestral Manoeuvres In The Dark – Locomotion (#28)

The duo had taken a bit of a commercial battering with the singles taken from 1983’s Dazzle Ships, with one reaching #20 and the other only hitting #42.  A more pop-focussed approach was adopted for 1984’s follow-up, Junk Culture, with this lead off effort eventually peaking at #5.  I know this era of OMD has its fans, but I’m not among them.

mp3: Blancmange – Don’t Tell Me (#32)

The third 45 to be lifted from the soon-to-be released Mange Tout provided Blancmange with a fifth successive Top 40 hit, The rather excellent Don’t Tell Me would subsequently become one of their biggest, reaching #8, just one place below Living On The Ceiling, their breakthrough single back in 1982.

mp3: Spear of Destiny – Liberator (#67)

Prisoner of Love, released in January 1984, had not been the hoped-for smash for Spear of Destiny and record label Epic, only reaching #59.  Hopes were high for Liberator, but it fared even worse, coming in at #67 and not getting any higher.  The consolation was that parent album, One Eyed Jacks, released at the end of April did reach #22.

mp3: Tracie – Souls On Fire (#73)

Tracie Young was a protégé of Paul Weller. Aged 17, she had sent a demo tape to the singer when he was looking to sign acts to his newly established Respond Records.  She was immediately asked to provide backing vocals to The Jam‘s final single, Beat Surrender, in November 1982, and then became part of The Style Council as backing vocalist and touring performer.  Her debut solo single, The House That Jack Built, attributed solely to Tracie, went Top 10 in April 1983, but the subsequent solo album, Far From The Hurting Kind, sold poorly and reached just #64.

Twelve months after the big hit, an effort was made to re-start her career with a new single. Souls On Fire flopped, peaking at #73.  There was one more single later in the year….watch out for it later in this series.

15-21 April

mp3: Echo & The Bunnymen – Silver (#32)

The Killing Moon had been a big hit earlier in the year, and the music press was buzzing with anticipation for the release of the forthcoming album, Ocean Rain.  It’s fair to say that the band’s manager, Bill Drummond, was really talking things up.  In many ways, Silver was something of an anti-climax; it was a decent enough tune, but it didn’t feel that the hype was fully justified.  It was the Bunnymen, but not quite as we knew them.  It came in at #32, and didn’t get any higher than #30.

mp3: Sandie Shaw – Hand In Glove (#44)

Well, well, well.

The Smiths, and Morrissey in particular, remained irked that their debut single had failed to trouble the charts.  Having talked often in the press of his love for 60s bare-footed chanteuse Sandie Shaw, he persuaded her to provide a vocal to a re-recorded version of the tune, on which Johnny Marr, Andy Rourke and Mike Joyce all played. It would eventually reach #27 and indeed offer up an enjoyable appearance on Top of The Pops, in which Sandie at one point gently sends-up Morrissey. Worth also mentioning that it was the first time in fifteen years that she had been on the show.

mp3: Bruce Foxton – It Makes Me Wonder (#74)

The first couple of singles by the ex-Jam bassist in 1983 had done OK, with debut effort Freak reaching #23.  The debut album, Touch Sensitive, was scheduled for release in May 1984 and so this further advance single was released.  Sadly, but not too unsurprisingly, as the quality was lacking, both it and the album sold poorly and Bruce Foxton would be dropped by his record label by the year-end.

22-28 April

Those of you who watched the Sandie Shaw TOTP clip and listened carefully to the presenters’ introduction would have heard that Duran Duran were coming up later on the same show.  It would be to perform their latest smash.

mp3: Duran Duran – The Reflex (#5)

An unusually high new entry for the early part of 1984. It was their 11th hit single in a row, and would ultimately provide them with a second #1  – the other had been Is There Something I Should Know? back in March 1983.  Nobody knew it at the time, as the future looked ridiculously rosy, but it was the last time they had a #1.

mp3: New Order – Thieves Like Us (#21)

Blue Monday, and to a lesser extent, Confusion, had made stars out of New Order, but they confounded many of their newly founded fans by making their next single an indie effort rather than one aimed at the dance floor.  Oh, and to make things even more perverse, it was released only on 12″, allowing for its full running time of more than six-and-a-half minutes, but there was an edited version made available as a promo 7″ to radio stations.  Thieves Like Us would reach #18 in the chart which straddled April/May 1984….and led to a live TOTP appearance in which Bernard sounded……….well, I’ll leave it you to decide!

mp3: Cocteau Twins – Pearly-Dewdrops Drop (#38)

A reminder that 1984 was occasionally capable of offering unexpected hit singles.  This would eventually climb to #29, and be the first and last time the Cocteau Twins would breach the Top 30 – not that they nor 4AD were all that bothered, as it really was about album sales.  Just a pity there was no TOTP appearance, but they had already appeared earlier in the year on another of the BBC’s programmes.

A reminder that I’ll be back later in the month with April 1984 singles that didn’t reach the Top 75.

Many thanks

 

JC

DON’T LOOK BACK IN ANGER (10)

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Lots of comments last month…..my huge thanks to everyone.  I didn’t quite realise there would be such love for New Song by Howard Jones.    Who am I going to dismiss with such impudence this time???

Chart dates 2- 8 October

Late September 1983 must have been a time when record labels had all their promotional folk go off on holiday.  The highest new entry in the first chart of October was all the way down at #38.  I won’t bore you with the details…..

It’s all the way down into the 60-somethings before there’s anything worthy of particular mention

mp3: Time UK – The Cabaret (#63)

It had been almost a year since The Jam had broken up.  Paul Weller had continued to enjoy success via The Style Council, while Bruce Foxton had released solo material.  Rick Buckler had formed Time UK with two members of Masterswitch ( me neither!), and two other musicians who had previously played with the Tom Robinson Band and Sparks.  A record deal was secured, and The Cabaret was the debut single.  #63 was as high as it reached….neither of its two follow-ups or parent album did anything.  I’ll be honest….I don’t recall this 45 at all.

Just slightly lower in the rundown was this.

mp3: The Lotus Eaters – You Don’t Need Someone New (#64)

Debut single, The First Picture Of You had been one of the songs of the summer, and in reaching #15, seemed to provide a good platform for The Lotus Eaters to become chart staples.  This was the rather enjoyable follow-up, but it only ever crawled its way to #53, and that, more or less, was the last time the UK record buying public spent money on the band.

Chart dates 9-15 October

I think I have to run through some of the acts hanging around the Top 20 this week to give an idea of how awful the singles charts exactly 40 years ago.

Culture Club – Karma Chameleon (#1)
David Bowie  – Modern Love (#4)
Howard Jones – New Song (#5)
George Benson – In Your Eyes (#7)
UB40 – Red Red Wine (#8)
David Essex – Tahiti (#10)
Rocksteady Crew – Hey You The Rocksteady Crew (#11)
Black Lace Superman (Gioca Jouer) (#12)
Paul Young – Come Back and Stay (#13)
Peabo Pearson & Roberta Flack – Tonight I Celebrate My Love (#14)
Nick Heyward – Blur Hat For A Blue Day (#15)
Lionel Ritchie  – All Night Long (#16)
The Alarm – 68 Guns (#17)
Kajagoogoo – Big Apple (#18)
Genesis – Mama (#19)
Ryan Paris – Dolce Vita (#20)

In what is a particularly awful list, I will single out that Black Lace song for a special mention.  Look it up on YouTube if you dare.

Oh, and the four who were trying hard to shore things up were Tracey Ullman (#2), Siouxsie & The Banshees (#3), Public Image Ltd (#6) and New Order (#9).

It wasn’t much better further down the charts…with worse to come as Billy Joel‘s Uptown Girl came in at #54 for the first of what would be a 17-week stay in the Top 75, all the way through to February 84, including five weeks at #1.

Once again, the 60-somethings offer some respite:-

mp3: China Crisis – Working With Fire and Steel (#66)

I’ve never been a fan, but a previous mention on the blog did throw up some love as well as a guest ICA from Martin, our Swedish Correspondent, although this particular single (which would eventually peak at #48) didn’t make his cut.

mp3 : XTC – Love On A Farmboy’s Wages (#67)

The band’s 8th Top 75 hit (from their first 17 singles) eventually went to #50.  It would until January 1989 for XTC to again get higher than #50, and it came through Mayor of Simpleton (their 24th single and 10th to go Top 75).

Chart dates 16-22 October

I was going to pass completely on this particular chart.  Nothing of merit whatsoever.  Apart from

mp3: This Mortal Coil – Song To The Siren

I was stunned to spot that this had made the Top 75 back in the day, as I was sure it was just a cult song.  I was even more stunned to spot, in the summary, that it went on to spend 13 weeks in the chart, but a closer inspection tells the true story, with the chart at the time being considered as the Top 100.

22 October – 12 November : 4-week stay at #66, #72, #77 and #75
3 December : 1-week stay at #98
14 January – 11 February 1984 : 5-week stay at #97, #98, #82, #85 and #83
25 February – 10 March : 3-week stay at #97, #80 and #93

Given that it wouldn’t have received any radio airplay beyond that from Peel, it’s hard to figure out why it spent so much time around the very lower ends of the chart.  I wouldn’t imagine that even in the weeks it wasn’t in the Top 100 that it sold 0 copies, which means it sold in small numbers across the UK for at least a five-month period, while wiki reveals that Song To The Siren enjoyed a run of 101 weeks on the UK Indie Charts,  one which ranks fourth in the 1980s behind Bela Lugosi’s Dead (131 weeks), Blue Monday (186 weeks) and Love Will Tear Us Apart  (195 weeks).

Chart dates 23 -29 October

Any DD fans out there?

mp3: Duran Duran – Union Of The Snake (#4)

Their 9th single since February 1981, but their first in six months, with the previous effort Is There Something I Should Know? giving them their first #1.    The record company would no doubt prove to be disappointed that Union of The Snake, would stall at #3.

Two feline-related songs made their entries into the charts this week:-

mp3: Adam Ant – Puss’n Boots (#21)
mp3: The Cure – The Lovecats (#23)

I don’t like the Adam Ant single.  But I’m posting it to remind you that, just a few years after he’d emerged from the punk world into mainstream pop with his Ants, he was now pursuing a solo career in which Phil Collins had been engaged to produce the songs as well as contribute his drumming skills.   This one would eventually peak at #5

I do like The Cure single, albeit there’s a real novelty feel to it.  Anyone who fell for the quaint charms of The Lovecats and raced out to buy any of their earlier albums probably recoiled in horror at what was coming out of the speakers. Maybe Robert Smith was trying his best to be subversive.

The Lovecats reached #7, which would be the biggest hit for the band until Lullaby reached #5 in mid-1989.

A rather unusual release entered the singles chart this week at #52.

The Singles ’81-’83 was a six-track release by Bauhaus, that I’ve seen described as a mini-LP and an EP.  It seems, for the purposes of chart positions, it was considered as an EP.  The six tracks were The Passion Of Lovers, Kick In The Eye, Spirit, Ziggy Stardust, Lagartija Nick and She’s In Parties.  Here’s Track 1 on Side A:-

mp3: Bauhaus – The Passion Of Lovers

A re-release entered the charts at #71:-

mp3: Joy Division – Love Will Tear Us Apart

It would spend seven weeks in the charts, making it all the way to #19 in mid-November, which wasn’t too far behind the #13 spot it had reached in July 1980.

OK, so it took some old songs being re-released to really perk up the charts back in October 1983.  The question is…..did it set things up for a decent November?  Tune in next month to find out……

JC

DON’T LOOK BACK IN ANGER (3)

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Y’all ready for this?

From the UK singles Top 10 of the last week of March 1993.

mp3: The Style Council – Speak Like A Child (#4)
mp3: Altered Images – Don’t Talk To Me About Love (#7)
mp3: Orange Juice – Rip It Up (#8)

Oh, and Sweet Dreams (Are Made of This) by the Eurythmics was at #5, well on its way to what would be six weeks in the Top 10.

There were also some other great pop tunes at the higher end of the charts….not all of which will be to everyone’s taste, but can offer an illustration that we were truly enjoying a golden age of memorable 45s:-

mp3: Duran Duran – Is There Something I Should Know (#1)
mp3: David Bowie – Let’s Dance (#2)
mp3: Jo Boxers – Boxerbeat (#6)
mp3: Bananarama – Na Na Hey Hey Kiss Him Goodbye (#9)

The other two places in the Top 10 were taken up by Bonnie Tyler and Forrest (no, me neither!!!)

Do you fancy looking a bit further down the Top 40?

mp3: Big Country – Fields Of Fire (400 Miles) (#13)
mp3: New Order – Blue Monday (#17)
mp3: Blancmange – Waves (#25)
mp3: Dexy’s Midnight Runners – The Celtic Soul Brothers (#36)
mp3: Wah! – Hope (I Wish You’d Believe Me) (#37)

Some facts and stats.

The debut single by The Style Council was the first of what would be four chart hits in 1983.

Altered Images and Orange Juice had both appeared on Top of The Pops the previous week on a show presented by John Peel and David ‘Kid’ Jensen, with both singles going up in the charts immediately after.

Is There Something I Should Know? was the first ever #1 for Duran Duran It had entered the charts at that position the previous week.

David Bowie would, the following week, supplant Duran Duran from the #1 spot, and Let’s Dance would spend three weeks at the top.

The debut single by Jo Boxers would eventually climb to #3.  It was the first of three chart singles for the group in 1983.  They never troubled the charts in any other year.

Bananarama‘s single would reach #5 the following week. The group would, all told, enjoy 25 hit singles in their career.

Fields of Fire had been at #31 when Big Country had appeared on the same TOTP show presented by Peel and Jensen.  A rise of 18 places in one week after appearing on the television was impressive.

Blue Monday was in the third week of what proved to be an incredible 38-week unbroken stay in the Top 100.  It initially peaked at #12 in mid-April and eventually fell to #82 in mid-July, at which point it was discovered for the first time by large numbers of holidaymakers descending on the clubs in sunnier climes.  By mid-October, it had climbed all the way back up to #9.

Blancmange were enjoying a second successive hit after Living On The Ceiling had gone top 10 in late 1982.  Waves would spend a couple of weeks in the Top 20, peaking at #19.

The success of The Celtic Soul Brothers was a cash-in from the record company.  It had touched the outer fringes of the charts in March 1982, but its follow-up, Come On Eileen, had captured the hearts of the UK record-buying public.  It was re-released in March 1983, going on to spend five weeks in the charts and reaching #20.

Hope (I Wish You’d Believe Me) was the follow-up to Story Of The Blues.  It wasn’t anything like as successful and spent just one week inside the Top 40.

JC

IT REALLY WAS A CRACKING DEBUT SINGLE (47)

No laughing at the back, please.

I’m deadly serious.

Let’s fact up to the facts, so don’t be nervous and just relax.  Duran Duran set out to dominate the music world from the outset.  Yes, there had been a few early different incantations of the group with the occasional argument over the shape the sounds should take, but once the five members had been whittled down to Le Bon, Rhodes and Taylors x3, it was a case of signing on the dotted line for one of the biggest labels of the time.

It was the era of style, quite often at the expense of substance and the marketing moguls at EMI knew exactly how best to make the product from their new synth-pop experiment sell by the gazillions.

It was easy to sneer and mock back in 1981, and I most certainly did.  The fact they also made exploitative and sexist music promos was another reason to despise everything about them.  The only problem was that the songs, well the singles anyway, all sounded fantastic coming out of the radio, or indeed from the speakers in any discos or clubs.

Planet Earth was released in February 1981.  Here’s the thing that most folk forget… it wasn’t an immediate smash.  It took six weeks before it climbed its way into the Top 20.  It was a time when music was only written about in the specialist papers and Duran Duran found themselves roundly ignored by all four.  A relatively new kid on the block, Smash Hits, which was aimed at a different market and whose modus operandi was to give more space to photos than words, filled the void.  EMI also linked the band to an increasing interest in the culture of the celebrity with the mainstream press, especially the tabloids, and the coverage in such publications tended to be positive and plentiful.  The label didn’t care if the readers of NME, Melody Maker, Sounds and Record Mirror were denied coverage – this wasn’t the market they were chasing.

Listen now, without prejudice almost 40 years on.  Planet Earth is a sensational sounding 45. One that makes even the most reluctant mover in the room make their way towards the dancefloor.  It is Chic meets Japan.

mp3: Duran Duran – Planet Earth

The b-side was a bit different.  Not the greatest lyric you’ll ever find, but some fabulous guitar, synth bass work if you can lend the music your ears.  A touch of Bowie Scary Monsters-era……

mp3: Duran Duran – Late Bar

Feel free to disagree.

JC

A POLITICAL PROTEST SONG (2)

Many many thanks to those of you who responded to the request to submit your favourite political song.  I will get round to posting all of them over the coming weeks but felt this is the one that should start things off.  Here’s the e-mail:-

Hello over there JC.

Glad to see T(n)VV on WordPress. (I am a WordPress expert so if you
ever have q's let me know).
I looked at seeing if there was a way of extracting the archive of
TVV, even after deletion, but sadly there wasn't.
Luckily there's the wayback machine.

I'm dropping you a line about your latest post though.
A few months back I created a cousin to F&M called Politics and Music:
http://politicsandmusicblog.wordpress.com/

I got bored of it very quickly though.

I would like if more than five people read it so I wondered if you'll
post the first entry from P&M, which isn't really about a political
protest song, it is more at a look at how the political protest song
is viewed.

If you don't like this one please feel free not to use it - or if you
want to post one of the other two articles on P&M.
Either or I'm not bothered. It's your gig and you decide.

Cheers,
Webbie.

I’ve always been someone who values the contributions to my blog(s) whether in the shape of comments or guest postings, so how could I refuse Webbie…..indeed all of his articles on P&M will appear here in due course although of course I’m hoping may of you will follow the link over there in advance.  Here’s the first article:-

———–starts————————————————-

I am an 80′s throwback. Born in the mid 60′s but the period when music began to resonate with me was from 1981 onwards. Why that particular year ? I don’t know. On Top Of The Pops everybody was having fun, having a party. I wanted to be invited.

It was also around this period that I was only a year away from the harsh reality of Thatcher’s Britain – No parties, just the dole. But watching these bands on the telly, in their bright colourful clothes, with the ballons, with the streamers. It took you away from the grey world outside.

At that time I was living in Liverpool. Only a few months before with my best mate Walter, we sat on some steps and watched the Railto burn.

As mentioned I wasn’t long for the unemployment line and soon became one of the 3 & half million signing on. Things were grim. Strikes, picket lines and where I lived – the riots. Switch on the TV, take your mind away…

The country was unhappy. Toxteth I witnessed. There was also Brixton and more.

History is slowly beginning to repeat itself with the Tory government (yes I know coalition but the Lib Dems are just puppets) with benefit cuts, cuts to the NHS, high unemployment and recession once again. An unpopular leader leading the country down another dark path.

These days there are many outlets to express our anger and frustration about the Tories, so the outrage is spread out and looks thin on the ground. Back then it was more concentrated. There were only four TV channels and everybody watching them. It was actually easier for some to get there word out. To vent their feelings, to raise those issues.

Music can reflect what people are thinking and feeling. The musicians like the rest of us suffered unemployment and then wrote about it. The most famous example in 1981 was The Specials with Ghost Town. A perfect reflection on the state of things. It captured the mood perfectly.

mp3 : The Specials – Ghost Town

The Specials obviously weren’t the first with social commentary. This has been going on every since popular music began. But to me it seemed that in the earlier part of the 1980′s there was an increase in these type of songs.
There was easily enough material for the songwriters. Thatcher and her battles with everybody. The dockers, miners, steelworkers… even the unemployed. Lots of misery and poverty around but also the open, raw capitalist greed.

Many bands attempted to raise awareness of fascism, racism, politics and the constant threat of a nuclear war. Even the established and well loved artist Paul McCartney sang about giving Ireland back to the Irish. But the single (as you will see from that link) was subsequently banned.  Other acts such The Police and yes, even Spandau Ballet also sang about that always touchy subject.

Every time a musical act does a take on one of these issues though, they are criticised. How dare these pop stars talk about politics. They should mind their own business.

The argument is always there whether they should get involved or stay out of it. The thing is that sometimes it works and sometimes not. There are a few instances when it became a force for good – such as with Band Aid and the eventual Live Aid concert. But sometimes the song becomes a bit of an embarrassment. The chart pop stars of the 80′s addressing a current plight somewhere. Their smooth, popular image then dented when they cry about war. It’s like a stand up comedian suddenly stopping midway through his act to do a slideshow on the African famine. Sometimes an uncomfortable act for us to witness.

A sample of potential embarrassment was with this line in a song, which was met with much derision when first heard:

“Don’t say you’re easy on me, you’re about as easy as a nuclear war…”

It was a throw away line, with the original message of the song not about a holocaust, but of relationships.
The rest of the lyrics in the verse before that line:

“People stare and cross the road from me
And jungle drums they all clear the way for me
Can you read my mind, can you see in the snow
And fiery demons all dance when you walk through that door”

Jungle drumming, snow visions, mind reading and to top it off – the demons:

mp3 : Duran Duran – Is There Something I Should Know

The line is remembered and brought much unwanted attention to Duran Duran. A fan misheard the lyric and wrote to Simon Le Bon to ask what “you bad azizi” meant.

This inspired them to create an experimental B side for a single released in 1990:

mp3 : Duran Duran – Yo Bad Azizi

From a potentially embarrassing lyric – another song. But they still didn’t compose this about the actual event of a nuclear war. It was just a riff on a letter they received. And as far as I’m aware Duran Duran have never done any protest songs, have never tried to raise awareness for the rainforests or poverty… or anything like that. Correct me if I’m wrong though.

Webbie, 9 January 2013

——————–ends————————

Note from JC

Webbie’s original posting linked to stuff on you tube instead of mp3s.  Given that you tube is owned by Google, who are also the owners of Blogger from which the original TVV was unceremoniously removed, readers will hopefully understand why I wont be posting you tube content at the new place.