WHEN THE CLOCKS STRUCK THIRTEEN (October Pt 2)

October 1984.  As we have previously seen, a seriously underwhelming month in respect of decent songs making the Top 75 of the UK singles chart.  Hopefully, the indie labels offered up a few things that were more palatable.

mp3: The Brilliant Corners – My Baby’s In Black

The third single of the year from one of Bristol’s finest ever combos.  Commercial success would evade them throughout their career, which lasted until 1993.  Lead singer and principal songwriter Davey Woodward is still very much on the go today, and his latest album Mumbo In The Jumbo, which is a very fine collection of tunes, was released earlier this year on Last Night From Glasgow.  Click here for more info.

mp3: Dali’s Car – The Judgement Is The Mirror

This should have actually appeared in the chart show edition of this series, as it had come in at #69 in the final week of October before peaking at #66.  Big things were expected of Dali’s Car, whose three members were Pete Murphy, Mick Karn and Paul Vincent Lawford, with the first two named having been in Bauhaus and Japan, respectively.  But they split after this, their only single, as well as subsequent album The Waking hour, sold poorly.

mp3: Devo – Are You Experienced?

In which the American new-wavers offer their take on a 1967 song written and recorded by Jimi Hendrix.  And here was me thinking that their earlier 1977 take on Satisfaction by the Rolling Stones offered a different take on the original….

mp3: The Fall – No Bulbs 3

The Fall again defy convention by insisting that the record label, Beggars Banquet, issue a new album along with a new single.  But not just in any bog-standard way, as the new single was to come out on 12″ vinyl, accompanied by a free 7″ single.  The new album was called The Wonderful and Frightening World Of….and it contained nine tracks with a running time of just over 40 minutes.

The 12″ goes by the title Call For Escape Route, and contains three songs – Draygo’s Guilt, No Bulbs and Clear Off!.  The bonus 7″ contains No Bulbs 3 and Slang King.  I could happily have selected any of the five songs, but in the end No Bulbs 3 won out in what was a lucky draw.  The full version of No Bulbs extends to a few seconds short of eight minutes while the edited down version, given the title of No Bulbs 3, is around four-and-a-half minutes long.

mp3: Hurrah! – Who’d Have Thought

One of the first bands to sign to Kitchenware Records, this was their third single for the label, and it made it to #7 in the Indie Chart.  It’s kind of indie-by-numbers and quite different from their better known label mates Prefab Sprout, The Daintees and The Kane Gang.  I saw them a few times back in the day, and while I really wanted to fall for their charms as I loved the label they were on, they never quite ticked all my boxes.

mp3: The Men They Couldn’t Hang – The Green Fields of France

A folk/punk band who kind of emerged from the busking scene.  They were initially closely aligned with The Pogues, playing gigs alongside them, with bassist Shanne Bradley having been in The Nipple Erectors alongside Shane McGowan. There’s also the possibility that the group name The Men They Couldn’t Hang emerged from one of McGowan’s early ideas for what eventually became The Pogues.

The Green Fields of France was the debut single, a song written by Eric Bogle, whose And The Band Played Waltzing Matilda had earlier in the year been covered by The Pogues.  It was a version much championed by John Peel, and despite being released quite late on in the year, it still gained enough votes to make #3 in the Festive Fifty of 1984, just behind How Soon Is Now? by The Smiths and Pearly Dewdrops Drop by the Cocteau Twins.

mp3: The Pastels – Million Tears

The band’s second 45 for Creation Records is a fabulous jingly-jangly number. It was released on 12″ vinyl, and copies fetch a decent price on the second-hand market these days.  I don’t have a copy, sadly.  Million Tears is one of two songs on the A-side of the 12″.  The best-known track, at least nowadays, was tucked away on the b-side.

mp3: The Pastels – Baby Honey

Running to almost 7 minutes in length, it’s a song that has featured on quite a few indie compilations over the subsequent years.  An absolute gem of a track.

mp3: Yeah Yeah Noh – Beware The Weakling Lines

A band who featured on the September one-hour mix thanks to the guest posting on In Tape Records from Leon MacDuff.  As Leon said, “Yeah Yeah Noh really ought to have a post to themselves at some point. Leicester’s finest musical export of the era (well OK, maybe tied with The Deep Freeze Mice), their time as an active group was brief but mighty: In Tape issued a string of EPs and a full album of their witty, lyrical lo-fi “unpop”, and their self-deprecating “Bias Binding” (“Yeah Yeah Noh, so full of ourselves / Not a real band, done no video elpee”) made JP’s Festive Fifty. They were ace.”

This was their second single of 1984, with the catalogue number of IT 010.  And given I missed out back in June with their debut, and it’s catalogue number of IT 008, I’ll take this opportunity to rectify matters:-

mp3: Yeah Yeah Noh – Cottage Industry

And that, my friends, wraps things up for this month.  It wasn’t too shabby, was it?

 

JC

SHAKEDOWN, 1979 (June, part two)

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The chart hit single in June had some quality, but not much in the way of quantity.  What about the 45s that didn’t make it as far as the Top 75?

mp3: Adam and The Ants – Zerox

Prior to becoming a pop icon in the early 80s, Adam Ant had been part of the punk scene in London.  He had a role in Derek Jarman‘s 1978 film Jubilee, while Adam and the Ants were filmed performing the Plastic Surgery (the song, that is….not the procedure!!).    This led to a deal for a one-off single with Decca Records, but Young Parisians failed to gain traction.  London-based Do It Records signed the band, and Zerox was the first offering.  It did well enough in the Independent Chart, but didn’t sell enough copies to trouble the Official Chart, at least not in June 1979.   It was re-released in January 1981 on the back of the initial burst of Ant-mania and made it to #45.

mp3: The Adverts – My Place

The Adverts had been one of the first of the punk bands to enjoy chart success, with Gary Gilmore’s Eyes hitting #118 in September 1977. By the following year, they were on RCA Records and began making music that had more of a pop feel to them.  Critically, they were still being championed in some music papers, but none of the three singles nor the one album they made while at RCA made the charts – and, of course, they weren’t eligible for the indie charts.

mp3: Cabaret Voltaire – Nag Nag Nag

Having turned down an offer from Factory Records, the Sheffield-based Cabaret Voltaire signed with Rough Trade, with their debut EP being released in late 1978.   The first actual 45 was released in June 1979, and has since been acknowledged as one of the most pioneering 45s of the era, but back then it was largely dismissed as being too arty and weird.

mp3: The Cramps – Human Fly

London-based Illegal Records, founded by Miles Copeland III, issued Gravest Hits, a 12″ EP bringing together tracks that had featured on the first two singles released by The Cramps back in 1978.  The other songs on the EP were The Way I Walk, Domino, Surfin’Bird, and Lonesome Town.   It would take a further 11 years before The Cramps ever made it into the UK singles chart, by which time Miles Copeland III was enjoying the riches from the success of his next label, I.R.S. Records, home to early R.E.M. among others (including, for a short time, The Cramps).

mp3: Devo – The Day My Baby Gave Me A Surprise

The men from Akron, Ohio continued their run of failure. Come Back Jonee had flopped back in January, and while the album Duty Now For The Future did chart at #49, its lead-off single did nothing

mp3: Simple Minds – Chelsea Girl

There were really high hopes among the band for the follow-up to Life In A Day which had sneaked into the lower echelons of the chart.  Such hopes were dashed…..the harpsichord-like sound produced by Mick MacNeil on keyboards failed to capture the attention of the radio pluggers, and the 45 disappeared without a trace.

mp3: Swell Maps – Real Shocks

The second single from Swell Maps issued by Rough Trade in 1979.  I didn’t know about this back when I was 16 years of age. If I had, I’d most likely have bought it and driven my parents crazy.

mp3: Talking Heads – Take Me To The River

Talking Heads were, pardon the pun, much talked about in 1979.  The previous year, they had enjoyed a hit album with More Songs About Buildings and Food, and there was near universal acclaim for their live shows.  Fellow New Yorkers Blondie were flying high, and it really only seemed a matter of time before The Heads were equally popular.  As we know, they did eventually become a household name, but in June 1979 the record label was reduced to releasing a single from the previous album as their way of trying to get a cash-in on a prestigious gig that month in London. The cover of the Al Green number was issued as a 2 x 7″ release (for the price of a standard 7″) along with art work in the shape of a Talking Heads family tree as designed and drawn by Pete Frame.  It didn’t chart.

mp3: Wire – A Question Of Degree

The story of how Outdoor Miner had been a minor hit, but should have been a major hit, was told a few months back.  Harvest Records, keen to atone for the errors made with the previous single, threw their weight behind another track lifted from the 1978 album Chairs Missing, but nobody was interested…which is a shame, as It’s a belter of a single

mp3: Toyah – Victims Of The Riddle

This piece started with a member of the punk scene who appeared in Jubilee, and now finds itself ending the same way.  Toyah Wilcox‘s first foray into the performing arts was as an actor, but with a number of her early parts involving singing, it led to her wanting to have a parallel career in music. She ended up fronting a five-piece band – all the other musicians were male –  with everyone content that it take its name from the lead singer, given how unusual it was.  London-based Safari Records signed the band, and Victims of The Riddle was the debut.  The band would remain with Safari over the next six years, going on to enjoy more than a fair degree of chart success.

JC

THE 7″ LUCKY DIP (8)

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A band who have seemingly been around forever, but are currently on a farewell tour that is marking their 50th anniversary.   There was a show in Edinburgh a couple of months back, but I gave it a miss on account of the ticket prices being too high and that the venue, the O2 Academy (formerly the Corn Exchange) is one of the worst there is.

Although Devo came together in 1973, it took until 1977 before they released any recorded material with the debut album, Q: Are We Not Men? A: We Are Devo!, appearing in August 1978, on Warner Brothers in America and Virgin Records in the UK.

It was recorded at Conny Plank‘s studio in Cologne, and Brian Eno was in the producer’s chair.

This was their fourth single,

mp3: Devo – Come Back Jonee

Its release was tied-in to the release of the album.   The single only got to #60, but the album went to #12, which is the perfect indication that while Devo got a fair amount of positive media coverage, their songs weren’t played much across radio stations.

Here’s the b-side:-

mp3 : Devo – Social Fools

A nice reminder of new wave music from the era.  Surprisingly left off the debut album.

JC

WILL DEVO EVER BE HIP AGAIN?

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The title of today’s posting was a throwaway remark included in the information sheet pulled together for FAC 9 on 13 September 1979 (see yesterday’s blog post for more info).

By September 1979, Devo, from Cleveland, Ohio, had been together for six years, with their back catalogue consisting of a handful of singles (the first of which was released in 1977) and two studio albums.  Prior to releasing any music, they had found some underground fame (and become hip) for the fact that their music was released via films and videos rather than on vinyl, but this was really down to the fact that many in the industry regarded them as a joke band and no record deals were on offer.

I don’t know if Devo were ever hip once they became a conventional act, but a little over a year after FAC 9 had posed the question, they were bona fide chart stars in their home country:-

mp3 : Devo – Whip It

From wiki:-

“Whip It” debuted at number eighty-five on the U.S. Billboard Hot 100 on August 30, 1980. It spent twenty-five weeks on the chart, peaked at number fourteen on November 15, 1980, and finished the year at number ninety-four on the Billboard Year-End singles chart for 1981. In the U.S., the song also reached number thirteen on the Cash Box Top 100, number eight on the Hot Dance Club Play chart, and number seventeen on the Record World Singles chart. “Whip It” found international success, peaking at number seventy-seven on the Australian Kent Music Report, number eleven on the Canadian RPM Top Singles chart, number eleven on the Official New Zealand Music Chart, and number fifty-one on the UK Singles Chart.

Here’s the b-side to the hit 45:-

mp3 : Devo – Snowball

As it turned out, Devo, despite a recording career that encompassed 25 releases, never bothered the US or UK singles charts again.  Nor did any of their studio albums from the late 80s onwards sell in any great numbers, but they have continued to generate a lot of positive press and sell out decent sized venues whenever they tour.

JC

MY OH MY, I HADN’T HEARD THIS IN YEARS

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As I’ve mentioned before, getting the old blog going what is now almost 10 years ago, resurrected an interest in vinyl just before it got hip and trendy. I picked up quite a few singles and albums on-line from folk selling off things for the sake of it rather than trying to make small fortunes and faithfully converted them into mp3 files for online use and for shoving onto the i-phone.

I was in the cupboard searching for something the other day when I found an old single by Devo from 1979 that I had obviously picked up, probably as part of a bigger package, but had somehow missed out when converting things. I loved the quirkiness of this 45 back in the day but it had been ages since I heard it:-

mp3 : Devo – The Day My Baby Gave Me A Surprise

Listening now it and you hear just how much of an influence this lot were on David Byrne.

I’d never heard the b-side before. The title made me think it would be a bit dodgy and unlistenable. Turns out to be one of the most punk and loud things Devo ever did:-

mp3 : Devo – Penetration In The Centrefold

Enjoy.

BLUE JEANS AND CHINOS; COKE PEPSI AND OREOS (Part 8)

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Devo formed as far back as 1972 consisting of members from Kent and Akron, Ohio. The classic line-up of the band includes two sets of brothers, the Mothersbaughs (Mark and Bob) and the Casales (Gerald and Bob), along with Alan Myers. They came to notice in the new wave/post-punk era where their strange vocal delivery and heavy reliance on keyboards didn’t sound so unusual anymore; they were also helped by the fact that Brian Eno was a very early champion of their work.

Despite this, critics were often scathing of Devo and didn’t take seriously. The fact that they were among the early pioneers of the use of videos and relied on costumes while playing live led to all sorts of accusations of being non-authentic.

Slowly but surely though, the band gained a following and in the early 80s even enjoyed some mainstream success with Whip It hitting the Billboard Top 40 in 1980. The next ten years were somewhat mixed with the band seemingly wanting to turn their backs on the commercial material in the hope of being taken much more seriously and attracting the highbrow press they felt their body of work deserved in an era when electronic music was all the rage. Inevitably they fell between two stools – the records sold poorly (leading to them being dropped by their label) and the critics mostly refused to still see them as an art-school joke that had long run its course.

In 1991, after eight LPs, Devo effectively broke up for a period of six years. The reformed band however weren’t prolific with new material aside from the occasional contribution to film soundtracks but they toured extensively and played before large audiences, especially in the USA. It wasn’t until 2010 that the ninth LP was released, but like so much of their material throughout their entire career, it came out to a mixed reception – some loved it, many hated it but most were indifferent.

I wasn’t actually sure whether or not to include Devo in this short series as it has been more than 30 years since I bought any of their music. But I can’t deny that they were among the first electronic groups that I listened to and so they will always have a place in my heart. I thought I’d just shove up four tracks that were made available on an EP released in the UK on Virgin Records back in 1983…which was the last thing of theirs I bought (bar a couple of second-hand 7″ singles in recent years to replace those lost a long time ago):-

mp3 : Devo – Come Back Jonee
mp3 : Devo – Working In A Coalmine
mp3 : Devo – Satisfaction
mp3 : Devo – Jocko Homo

Enjoy.