Category: Cuban Heels

A bio from the Big Gold Dreams box set.

“When Johnny and The Self Abusers split, while Jim Kerr and Co. planned world domination with Simple Minds, vocalist John Milarkey formed The Cuban Heels whose mix of pop-funk stridency teetered just the right side of anthemic. They debuted with a breathlessly bratty cover of the Petula Clark classic, Downtown, while second single Walk On Water (November 1980) – the first offering on the Cuba Libre label through Virgin – felt like a speedier, less angular Talking Heads.  A sole album. Working Our Way To Heaven was released by Virgin in 1981, with their final single a re-recorded version of Walk On Water, coming with a free flexi disc of Cat Stevens‘ Matthew And Son.”

mp3: Cuban Heels – Walk On Water

The original version, as included on the BGD box set.  The Talking Heads comparison is frighteningly valid…certainly when listening to the lead vocal delivery.

 

JC

As part of the on-line build-up to last Simply Thrilled night, members of the Facebook group were asked to reminisce on the first Scottish act they had seen live. There’s a fair range of ages among the group and the replies were fascinating, not least that provided by Basil Pieroni, the guitarist with Butcher Boy who said:-

I don’t remember them but I must have been the Cuban Heels supporting the Stranglers at the Apollo in 1978. The reason for this occurred to me was that, walking home from town yesterday, we passed the Academy. The marquee said The Cuban Heels and that rang a bell. A quick google later and we paid in. They were playing in the bar not the main theatre….

The years have been fairly kind to them. The bass player in particular looked magnificent – full quiff, skinny, dressed in black, great face. The music was of its time – kind of proto Simple Minds (according to wiki one of them was in Johnny & The Self Abusers with Jim Kerr). Anyway, was a good diversion.

I know I must have seen them at the Apollo, because I remember queuing, the doors opening and everyone starting to run up the stairs as soon as your ticket was checked. I said to my pal – why are we running? – and he said – I don’t know.

I laughed out loud as I’d forgotten that running up the stairs and into the stalls was part of the ritual in going to the Apollo. Forget the fact that you had a specified seat on your ticket as these tended to be completely ignored by those attending the gig and by the notorious bouncers, especially at the post-punk/new wave gigs where it was just mayhem from the word go,

Basil was right in that John Milarky, the singer with Johnny & The Self Abusers, would quickly team up with Paul Armour (bass), Davie Duncan (guitar) and Laurie Cuff (guitar) who had already formed a trio called The Cuban Heels and, through a friendship with an Edinburgh entrepreneur who wanted to set up a record label, they recorded and released, on Housewives’ Choice, this before 1978 was out:-

mp3 : The Cuban Heels – Downtown

Yup, it’s a cover of the song made famous by Petula Clark. And it proved to the only 45 the label would issue!

The b-side was a Laurie Cuff number:-

mp3 : The Cuban Heels – Do The Smok Walk

I do remember The Cuban Heels getting a fair bit of local media coverage back in the day and I have memories also of them getting at a couple of sessions for the John Peel show on Radio 1. It therefore seems strange that it took two years to release a follow-up single:-

mp3 : The Cuban Heels – Walk On Water

The single was the first to be issued by a new local label, Cuba Libre, which had been set up by Ali Mackenzie (ex The Subs) and who also began drumming for The Cuban Heels. Paul Armour had also left and had been replaced on bass by Nick Clark (I’m wondering he’s the same bloke who so impressed Basil a while back).

I think it’s fair to say that this new 45 was heavily influenced by Talking Heads, albeit the pace was just a bit more frantic and less posing was involved.

Some A&R folk were liking what they were hearing and next thing was that Cuba Libre did a deal with Virgin Records for joint releases on the next material by the band, which turned out to be two singles and an album in 1981 in which production duties were shared by John Leckie and Steve Hillage. The band must have toured in support of these releases, including Glasgow gigs, and while it is possible that I would have been present at one or more of such events, like Basil, I don’t remember them.

It’s interesting that, after all these years, the band has come back together again and playing gigs in the Glasgow area but it is hard to see what sort of audience they will be attracting beyond the die-hard fans who will now be approaching pensionable age.

JC