WHEN THE CLOCKS STRUCK THIRTEEN (April)

I finished off last month’s two-part look back at the singles chart of 1984 with a degree of pessimism that 1984 wasn’t really shaping up to be a vintage year judging by the quality of new entries in the month of March.  Will the four charts to fall in the month of April offer any rays of sunshine?

1-7 April

Lionel Richie was still saying Hello, and in the very confusing promo video, asking someone…..a blind woman much younger than himself….if it was him she was looking for.  Urgh.

Ballads were seemingly all the rage among the mainstream as the highest new entry, at #26 belonged to Phil Collins with Against All Odds (Take A Look at Me Now).  Before the month was out, this one would be stuck at #2…..initially kept off the top spot by ole’ Lionel.

So far….so awful.  Thankfully, Bob and his boys offered some respite

mp3: The Cure – The Caterpillar (#31)

Or did they? Let’s be honest about things.  The Cure had given us some great singles in the early 80s and would do so from the mid-80s onwards.  But their sole 45 from 1984 is a bit meh….and indeed, the parent album The Top, is one which, while subject to positive reviews at the time, has come to be regarded as one of their less stellar offerings. The Caterpillar would spend seven weeks in the charts, peaking at #14.

mp3: The Psychedelic Furs – Heaven (#39)

Here’s one whose production values and techniques highlight it could only be from the 80s. I’ve a lot of time for a number of the early Psychedelic Furs material, but fourth album, Mirror Moves, from which Heaven was the lead-off single was where they began to lose me.  As I wrote many years ago in a previous posting on the band, I found myself wondering why it was that I once thought they were an important part of the alternative music scene in the UK in the early 80s when in fact they were really always a mainstream act bordering on the different.  Heaven would briefly break into the Top 30 the following week, and other than the later re-release of Pretty In Pink to tie-in with the film of that name, would be their best achieving 45.

mp3: Killing Joke – Eighties (#60)

I’m kind of surprised that I’ve never featured this before on the blog….but then again, it’s not actually a piece of vinyl I own.   Indeed, I don’t have too much by Killing Joke gathering dust on the shelves.  But this one, which was clearly ripped off a few years later by Kurt Cobain when he wrote Come As You Are, is a more than listenable number.  It spent five weeks in the chart, and by the look of things, sold roughly the same number of copies each and every week with chart positions of 60, 62, 61, 63 and 64.

mp3: Malcolm X and Keith Le Blanc – No Sell Out (#69)

On which samples of words spoken in speeches by the assassinated political activist were put to a hip hop beat.  The lack of radio play in the UK hindered sales, with it eventually reaching just #60.  It was, however, a mainstay of student union discos across the land.  Well, I certainly ensured it got played it on the occasional Thursday alt-night at Strathclyde.

mp3: Talk Talk – Such A Shame (#70)

The follow-up to It’s My Life which had peaked at #46 in January fared no better, staggering its way up to #49 in mid-April.  It did much better in other markets, reaching #1 in Italy and Switzerland, and #2 in Austria and West Germany.

8-14 April

I Want To Break Free by Queen was your highest new entry at #18.  I’ve nothing to add to that sentence. Next highest was from an electronic duo, many of whose earliest singles had excited me.

mp3: Orchestral Manoeuvres In The Dark – Locomotion (#28)

The duo had taken a bit of a commercial battering with the singles taken from 1983’s Dazzle Ships, with one reaching #20 and the other only hitting #42.  A more pop-focussed approach was adopted for 1984’s follow-up, Junk Culture, with this lead off effort eventually peaking at #5.  I know this era of OMD has its fans, but I’m not among them.

mp3: Blancmange – Don’t Tell Me (#32)

The third 45 to be lifted from the soon-to-be released Mange Tout provided Blancmange with a fifth successive Top 40 hit, The rather excellent Don’t Tell Me would subsequently become one of their biggest, reaching #8, just one place below Living On The Ceiling, their breakthrough single back in 1982.

mp3: Spear of Destiny – Liberator (#67)

Prisoner of Love, released in January 1984, had not been the hoped-for smash for Spear of Destiny and record label Epic, only reaching #59.  Hopes were high for Liberator, but it fared even worse, coming in at #67 and not getting any higher.  The consolation was that parent album, One Eyed Jacks, released at the end of April did reach #22.

mp3: Tracie – Souls On Fire (#73)

Tracie Young was a protégé of Paul Weller. Aged 17, she had sent a demo tape to the singer when he was looking to sign acts to his newly established Respond Records.  She was immediately asked to provide backing vocals to The Jam‘s final single, Beat Surrender, in November 1982, and then became part of The Style Council as backing vocalist and touring performer.  Her debut solo single, The House That Jack Built, attributed solely to Tracie, went Top 10 in April 1983, but the subsequent solo album, Far From The Hurting Kind, sold poorly and reached just #64.

Twelve months after the big hit, an effort was made to re-start her career with a new single. Souls On Fire flopped, peaking at #73.  There was one more single later in the year….watch out for it later in this series.

15-21 April

mp3: Echo & The Bunnymen – Silver (#32)

The Killing Moon had been a big hit earlier in the year, and the music press was buzzing with anticipation for the release of the forthcoming album, Ocean Rain.  It’s fair to say that the band’s manager, Bill Drummond, was really talking things up.  In many ways, Silver was something of an anti-climax; it was a decent enough tune, but it didn’t feel that the hype was fully justified.  It was the Bunnymen, but not quite as we knew them.  It came in at #32, and didn’t get any higher than #30.

mp3: Sandie Shaw – Hand In Glove (#44)

Well, well, well.

The Smiths, and Morrissey in particular, remained irked that their debut single had failed to trouble the charts.  Having talked often in the press of his love for 60s bare-footed chanteuse Sandie Shaw, he persuaded her to provide a vocal to a re-recorded version of the tune, on which Johnny Marr, Andy Rourke and Mike Joyce all played. It would eventually reach #27 and indeed offer up an enjoyable appearance on Top of The Pops, in which Sandie at one point gently sends-up Morrissey. Worth also mentioning that it was the first time in fifteen years that she had been on the show.

mp3: Bruce Foxton – It Makes Me Wonder (#74)

The first couple of singles by the ex-Jam bassist in 1983 had done OK, with debut effort Freak reaching #23.  The debut album, Touch Sensitive, was scheduled for release in May 1984 and so this further advance single was released.  Sadly, but not too unsurprisingly, as the quality was lacking, both it and the album sold poorly and Bruce Foxton would be dropped by his record label by the year-end.

22-28 April

Those of you who watched the Sandie Shaw TOTP clip and listened carefully to the presenters’ introduction would have heard that Duran Duran were coming up later on the same show.  It would be to perform their latest smash.

mp3: Duran Duran – The Reflex (#5)

An unusually high new entry for the early part of 1984. It was their 11th hit single in a row, and would ultimately provide them with a second #1  – the other had been Is There Something I Should Know? back in March 1983.  Nobody knew it at the time, as the future looked ridiculously rosy, but it was the last time they had a #1.

mp3: New Order – Thieves Like Us (#21)

Blue Monday, and to a lesser extent, Confusion, had made stars out of New Order, but they confounded many of their newly founded fans by making their next single an indie effort rather than one aimed at the dance floor.  Oh, and to make things even more perverse, it was released only on 12″, allowing for its full running time of more than six-and-a-half minutes, but there was an edited version made available as a promo 7″ to radio stations.  Thieves Like Us would reach #18 in the chart which straddled April/May 1984….and led to a live TOTP appearance in which Bernard sounded……….well, I’ll leave it you to decide!

mp3: Cocteau Twins – Pearly-Dewdrops Drop (#38)

A reminder that 1984 was occasionally capable of offering unexpected hit singles.  This would eventually climb to #29, and be the first and last time the Cocteau Twins would breach the Top 30 – not that they nor 4AD were all that bothered, as it really was about album sales.  Just a pity there was no TOTP appearance, but they had already appeared earlier in the year on another of the BBC’s programmes.

A reminder that I’ll be back later in the month with April 1984 singles that didn’t reach the Top 75.

Many thanks

 

JC

DON’T LOOK BACK IN ANGER (7)

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Slight change of tack this month, and indeed for the remainder of this series, in that instead of looking at one week’s chart in a particular month, I’m going to go through each of them to highlight and recall some great 45s from the latter half of 1983.

Chart dates 3rd – 9th July 1983

The top end of the chart still had the June hangover, but one of the former new wave heroes found himself in the Top 10 with a bit of an MOR classic:-

mp3: Tom Robinson – War Baby (#6)

I could have included this in last month’s posting as it was kicking around the charts in June 1983, but held it back.  TRB had, with 2-4-6-8 Motorway and the Rising Free EP, enjoyed a bit of success in the new wave era, but Robinson’s next venture, Sector 27, had failed dismally.  He went away to live in Germany, wrote some new songs, including War Baby, and returned to the UK with the aim of becoming purely a solo artist.  War Baby was the only big hit he would enjoy, albeit there was a minor hit later in 1983.  He’s remained very well-known here in the UK as a result of broadcasting shows on all various BBC Radio stations since the late 80s.

mp3: Malcolm McLaren – Double Dutch (#19)

The inclusion of this one might annoy a few of you, but I remain quite fond of it. The svengali had enjoyed an unexpected Top 10 hit in 1982 with Buffalo Gals, one of the first hit singles to feature hip-hop and scratching, but that was reckoned to have been the last anyone would hear of him.  He returned in 83 with a single which celebrated a skipping game that was highly popular among many African American communities, particularly in New York.  It’s one of those songs which entertains and annoys in equal measures, depending on your take.  It would eventually climb to #3.

mp3: David Sylvian and Riuichi Sakamoto – Forbidden Colours (#20)

The vocal version of the main theme to Merry Christmas, Mr Lawrence, one of the most critically acclaimed films of 1983.  This was not the first time that the former frontman of Japan and the award-winning composer had collaborated on a hit single, as the double-A sided Bamboo Houses/Bamboo Music, which was part of the first solo project undertaken by Sylvian, had been a Top 30 hit in 1982.  Forbidden Colours would rise up the charts over the next couple of weeks, peaking at #16.

mp3: The Cure – The Walk (#34)

The eleventh single to be released by The Cure.  This was the week it entered the charts, making six in a row to make at least the Top 50.   However, The Walk would go on to spend 8 weeks in the charts, and in reaching #12 would give the group its breakthrough into the Top 20.

mp3: Bananarama – Cruel Summer (#36)

There’s no way I’m not including this in the feature.  Bananarama were great fun back in 1983, and would remain so for many more years to come.  This was another new entry and, during a 10-week stay, would eventually peak at #8.

mp3: Elvis Costello & The Attractions – Everyday I Write The Book (#40)

Having been in the charts earlier in the tear as The Imposter, the release of the first new single off what would be the band’s seventh studio album, took Elvis Costello & The Attractions back into the Top 40 for the first time since High Fidelity in 1980 – four singles in the intervening period had all stalled in the 40s or 50s.   This one would be a real slower burner in that it spent 8 weeks in the charts but never got any higher than #28.

Chart dates 10th – 16th July 1983

Rod Stewart and Paul Young continued to bore everyone rigid at the top of the charts.  Baby Jane was at #1 for a third successive week, but was poised to lose its place to Wherever I Lay My Hat (That’s My Home) which was sitting at #2 but would end up itself spending three weeks at the top.

All of those that had come in as new entries the previous week made progress up the chart, joined by a few more excellent 45s.

mp3: Echo & The Bunnymen – Never Stop (#30)

This was the first new release since the success of the album Porcupine, as well as the hit singles taken from it (The Back of Love and The Cutter).  Its absence from any future albums sort of makes Never Stop one of the more forgotten 45s from the Bunnymen, but it’s one of my favourites, particularly in its extended 12″ format which was given very regular airings at the Student Union discos. It would rise to #15 the following week, before slowly drifting out of the chart.

mp3: The Lotus Eaters – The First Picture Of You (#36)

The debut single from The Lotus Eaters had been on sale for a few weeks before it reached the Top 40.   It had come in at #71, climbed to #42 and now got to #36.  The good news would continue as it would rise in each of the next five weeks, which also led to a couple of appearances on Top of The Pops, reaching #15. It would prove to be the only occasion that the group had a Top 40 hit.

Chart dates 17th – 23rd July 1983

mp3: The Creatures – Right Now (#32)

The side-group of Siouxsie Sioux and Budgie was now enjoying a second Top 40 hit in 1983, this time with a cover of a jazz song from the early 60s.  There was a brilliantly written review from Paul Colbert in Melody Maker:-

“The Creatures slipped through an unlocked back window, ransacked the place and left with the best ideas in a fast car. Like all the greatest criminal minds they strike without a warning and only they know the plan. We have to piece the clues into a cover story. From the earliest seconds of ‘Right Now’ you know you’re on shifting ground. Siouxsie baba da baping away to the noise of her own fingers clicking until Budgie barges in with congas on speed. Christ which way is this going? The one direction you don’t expect is a vagrant big band coughing out drunken bursts of brass in a Starlight Room of its own making. Budgie and Siouxsie – the Fred and Ginger of the wayward world”.

Right Now would end up spending 10 weeks in the charts, peaking at #14.

Chart dates 24th – 30th July 1983

mp3: Depeche Mode – Everything Counts (#26)

I’m no fan of post-Vince Clarke DM, but it’s only fair to acknowledge the amount of time they’ve been around.  Everything Counts might have been 40 years ago, but it was already their seventh Top 30 single, going back to New Life in June 1981.   It would eventually reach #6, which matched their previous best chart performance, which had been achieved with See You.  I was surprised to learn that only one further DM single would ever get higher in the charts, and that came the following year, when People Are People reached #4.

mp3: Bruce Foxton – Freak (#34)

The bass player of the band formerly known as The Jam finally got his solo career underway.  His debut single came in at #34 and after a couple of weeks had climbed to #23, but he never again replicated this success, very much overshadowed by what Paul Weller was achieving with The Style Council.  To be honest, Freak isn’t a very good song, and probably owed its success from the loyalty of fans of his former band.

I’ll be back with more of the same in four or so weeks.

JC