ONE HUNDRED AND ELEVEN SINGLES : #098

aka The Vinyl Villain incorporating Sexy Loser

# 098: Sugarcubes – ‘Birthday’ (One Little Indian Records ’87)

Dear friends,

there are bands which by no means would have been even halfway as sucessful as they finally became if it hadn’t been for their singer, especially if said singer was female. The Sugarcubes, fronted by Björk of course, are one example, another one will follow next week.

I guess there is no need to get into full detail re The Sugarcubes, you all are old enough. It’s pretty easy to briefly sum up their career: they started out as KUKL (and had their stuff released on the label run by Crass, which I always found rather amusing), became The Sugarcubes, released ‘Birthday’ – and this record, which was pure unadulterated emotion, changed the world basically.

If you think I’m exaggerating, as ususal – well, sort of. But come on, such a singing style was, by and large, unheard of at the time. And from Iceland they came of all places – we hardly knew where this was, didn’t we? Those who listened to Peel at the time – before there was any mention of The Sugarcubes in the music papers – might, like me, have sat in front of the radio and imagined some Eskimo with quite an angelic voice (yes, I know: a) you are not allowed to call them like this these days and b) they don’t live in Iceland anyway).

But of course Björk had her haters, Mrs. Robster and Mrs. Loser being leaders of this club, I’m afraid. I never understood this disaffirmation, to me they were absolutely wonderful, the same is true of their debut album from 1988. So when the media caught up on the band, rather quickly two camps were built, and to my best knowledge there was not much of an inbetween – you either loved them or you hated them, as easy as this.

And then, soon, it was all over. Yes, I admit, three other albums followed, but to be frank: you’ll just remember ‘Regina’ from the second one, do you? The rest was, let’s face it, not good. So what happened? Well, if you listened closely to the debut album, there was this bloke in the background occasionally, disturbing Björk’s singing, so you could argue, with some strange shouting – and this chap was Einar Örk, the trumpet player.

Now, ‘Birthday’ topped Peel’s Festive 50, became a massive indie hit in the UK, a college radio hit in the USA and naturally all the media attention centred on Björk – and, obviously, quite rightly so! This very much disgusted poor Einar, the shouter, because he thought he’d deserve attention as well for The Sugarcubes being the new star in heaven. Still no one with a single brain cell left really saw it this way though and finally Björk had enough of the tensions with Einar and went solo. To even greater success, of course, so if you carried on with what she did on her own (I did not, too much other things to listen to), light a candle for Einar next time you’re in church, because at the end of the day he sort of paved her way to absolute stardom with his stupid attitude!

mp3: The Sugarcubes – Birthday

When filling the singles box I always tried to get hold of original releases of course, that’s when they were halfway affordable. But here I deliberately went for the re-release from ’88, because the ‘Christmas’-tune on the flipside is actually ‘Birthday’, but with the Jesus & Mary Chain‘s Reid brothers on guitars – and this version is absolutely stunning! So is the one sung in Icelandic, titled ‘Ammæli ‘, first issued on a 7“ in ’86 with ‘The Sugarcubes’ translated to ‘Sykurmolarnir’.

But still: the version above is the definitive one, of course. Some wise soul once wrote: „songs are rarely “out of this world” even if it is a descriptive term used quite regularly, but “Birthday” is undoubtedly otherworldly“.

Enjoy,

 

Dirk

PS : JC adds……

The e-mail from Dirk for this one arrived in the TVV inbox last Wednesday, 18 June 2025, which just happened to be my 62nd birthday….a complete coincidence according to my dear friend from Germany!!

Anyway, it gives me an excuse to redirect you to this recent post, featuring the June book of the month, and the opportunity to win a copy as I’m running a competition to celebrate said birthday.

6 thoughts on “ONE HUNDRED AND ELEVEN SINGLES : #098

  1. Thanks Dirk for this wonderful and timeless song. It was the only one I knew when I saw them live back in 1989 on a festival at Bodensee. And I was fascinated about her voice and her physical presence there. Her debut album is also an outstanding record.

  2. Such a great record it is!
    To be fair – in my little world – the third album has a couple of more than decent tracks on it. An album where Einar was again held back, for very good reasons…

  3. MrsRobster is absolutely delighted to be name-checked as a leader of the Bjork Haters Club. She would love to get together with Mrs Loser to discuss a recruitment drive for new members!

    Birthday really is still a wonderful, wonderful record. And maybe I’m alone in this, but I have always been an Einar fan. I love both the other albums that are often unfairly dismissed, but admittedly the debut does top them all. I think that was always going to be the issue – when you have a song like Birthday and a debut album as strong as Life’s Too Good, what follows is bound to split opinion. Listen to both the 2nd and 3rd albums objectively and you’ll find they are still better than 99.9% of anything else released in those respective years.

  4. I’m also here to chime in as a member of the Einar Orn fan club. While undoubtedly it was the hyper-expressive vocals of Bjork [akin at the time to the otherworldly ululations of Liz Fraser] upon hearing “Birthday” that grabbed my attention. We saw a video on the SnubTV program that actually aired on cable TV in America at the time. I immediately pounced on all the imports and if I must be candid, I felt the quixotic element X that Einar delivered only enhanced the allure of Sugarcubes.

    I enjoyed all three Sugarcubes albums and bought the first three Bjork solo albums but found them imbalanced without Einar’s contributions. I immediately disliked “Homogenic” and flipped it. The other two solo albums followed. Right now I’m in a huge cull of my too large collection so “Here Today, Tomorrow, Next Week” and “Stick Around For Joy” are also earmarked for sale as I am honing my areas of music coverage down to the bare minimums. I find for many artists, that one to three albums can suffice where there are currently more. And I’m taking a perverse delight in finally ridding myself of certain albums by artists I “collected” which I’ve never liked! [I say “Sayonara!” to legendary stinkers from Ultravox and Simple Minds!] But “Life’s Too Good” definitely isn’t one of them

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