Daisy Chainsaw – Love Your Money (Taken from Love Sick Pleasure EP, Deva Records, 1991)

Hands up if any of you can remember a single song by Daisy Chainsaw that isn’t their Top 30 denting surprise hit ‘Love Your Money’….I’ll wait….Nope, me neither. I mean they definitely had other songs, their debut album went into the Top 75, which back in 1991, before Britpop and well before bands could release an album on the Soundcloud before being signed, that was quite an achievement.

For a short period in 1991, Daisy Chainsaw were pretty much everywhere. Largely because of ‘Love Your Money’ which became something of an albatross for the band. The band were lead by Katie Jane Garside whose on stage performances gained the band far more attention than their music did.

Katie would wander onto stage often drinking from a baby’s bottle, she would be dressed in an old gown which would be dirty and ripped and she would spend most of the gig throwing herself either into the crowd or rolling around on the stage floor, she occasionally cut herself on stage aswell. She would also quite often talk nonsense in interviews. So it wasn’t long before mental illness rumours started.

The media loved them however, (the NME, as ever, invented a genre for them, ‘Banshee Pop’ and PJ Harvey was also very briefly lumped in that genre with them), and ‘Love Your Money’ propelled the band into the spotlight, a spotlight that perhaps they weren’t ready for. They appeared on The Word, at the height of its granny snogging, controversy baiting, Mary Whitehouse annoying brilliance and their performance it an absolute riot (you can watch it on YouTube – it might have even been the week after Nirvana almost destroyed the set ).

Superstardom was beckoning with its bony finger as Katie Jane twists and contorts herself in front of the camera like a deranged rag doll (which was definitely the look she was going for) but then….well if Daisy Chainsaw’s career was a line graph and ‘Love Your Money’ was the high pointy bit then the rest of it is the steep downhill bit.

It’s weird how Daisy Chainsaw never quite matched the raucous, shambolic brilliance of ‘Love Your Money’ and its even weirder how their singer Katie Jane Garside was never a far bigger star than she (briefly) was. Although it has to be said mental illness probably paid as much a part of that than anything else. In 1993, two years after the success of ‘Love Your Money’ – which saw the band spent nearly all that time on the road touring with the likes of Mudhoney, Hole and {shudder} Sheep on Drugs, Katie Jane walked away from the band – and pretty much vanished from sight. She was barely seen for six years.

Then in 2000 a new band called queenadreena appeared and the singer wore a ripped dirty gown and liked to stage dive….

There were one other D in the box – not as good as Daisy Chainsaw though.

Depeche Mode – It’s No Good

which does pretty much what it says on the tin

E is for EMF

EMF – Unbelievable (1990, Parlophone)

This is probably the most battered 12” in Badger’s collection. The vinyl is scratched, and it jumps around two minutes in as well. It doesn’t really matter to be honest because I already own it, but its such a great record that I can’t ignore it.

‘Unbelievable’ reached the Top 5 in the UK (and Number 1 in the USA) when it was released way back in 1990, making the record more than 30 years old now. If that doesn’t make you feel old then I have no idea what will. I was 15 when this came out, and for a while I genuinely thought it was one of the greatest things I had ever heard.

Then again, when I was 15 I was infatuated with the girl who sat next me in GCSE physics. Instead of listening to my teacher Mr Watson drone on about whatever it was he was droning on about (I can literally remember not a single thing from GCSE physics) I used to write little notes to this girl, lets call her Lindsay, who used to write ‘Shut Up’ or ‘I’m trying to Listen’ underneath them. I must have asked her out four or five times in about a month, and she always said no. At a party towards the end of the year, I tried and failed again and was told that ‘I wasn’t her type’.

Anyway, I looked her up on social media the other day. Found out that she went on to go to Trinity College, Cambridge, has stood for election for the Conservative Party (beaten by a Liberal Democrat, ha ha ha) and is now married to a millionaire hedge fund manager. He may have a million quid spare, but I bet that he doesn’t own two copies of ‘Unbelieveable’ by EMF on 12”.

There were two other records from bands starting with E that were worthy of your attention:-

Echobelly – Great Things (Taken from ‘On’)
Echo and the Bunnymen – Bring on the Dancing Horses (Taken from ‘Songs to Learn and Sing’)

F is for Foo Fighters

Foo Fighters – This Is A Call (1995, Capitol Records)

Another great record that evokes wonderful memories. In this case Saturday Night at the 1995 Reading Festival. One of those nights where you really had to be there – I was there, but I wasn’t ‘there’ there. If that makes sense.

I mean, I tried to be ‘there’ there. I’d got ‘there’ early. I stood near the back and watched Echobelly (see above) play to a slightly more than half full tent. As brilliant as Echobelly were they were never a second on the bill at Reading type of band. Besides they were on at the same time as Paul Weller who was even more popular than ever due to the incredible success of his ‘Stanley Road’ album, so they stood no chance.

I was there early of course for the debut UK gig by Dave Grohl’s Foo Fighters who had already laid the groundworks for world domination by going Top Ten with their first two UK singles, and frankly they were the most talked about band of the weekend.

About three minutes before the end of Echobelly’ set people start to drift in. Then a few more and then a load more. There is about a 30-minute wait before the Foo Fighters. It looks like everyone had the same idea – get there early.

15 minutes to go, you can just about move. My position at the near the back had become slightly squashed against a pillar right at the back. To my left a girl has just started to climb another pillar. To my right a couple of hairy arsed blokes start pushing their way to through, beer is being thrown across the tent.

5 minutes to go, the crowd is stretching back outside the tent and into the field behind it. I’ve been pushed back again and now find myself about fifteen feet from the tent and unable to see a bloody thing, Chris the bloke I was with has long since vanished (he later told me he went to watch Bjork) and I turn round as the cheers and yelling start, people next me push forward. Its looks seriously dangerous in there now. I shrug, it’s only a band I tell the bloke next to me as he pushes forward and I decide to leave, eventually I end up in the comedy tent having a right old chortle to Gerry Sadowitz.

There was one other record by a band starting with F in the box, tucked away right at the back. It’s a belter too:-

Fatboy Slim – The Rockerfeller Skank


4 thoughts on “BURNING BADGER’S VINYL – THE (NEARLY) A-Z OF INDIEPOP (Part 3, D, E and F)

  1. Cracking stuff, pretty much every track today. Another Daisy Chainsaw song? ‘Pink Flower’, the follow-up single. I saw them supporting Hole along with Therapy? in a tiny student venue in Exeter. Raucous is a word that doesn’t do it justice. Incidentally, they did release a second album in 1994 but I don’t think anyone bought it.

    I reckon you had a lucky escape with the GCSE Physics girl. She’s probably the type who thinks Ed Sheeran is cutting edge stuff…

  2. I vaguely remember the Daisy Chainsaw song, but don’t think I ever got a look at the band. That EMF tune was absolutely everywhere for about a month.
    Who knew that GSCE Physics leads to conservatism?

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.