The second official single saw the light of day in May 1993.

Despite being one of the best 45s of the era, it was a monumental flop, not getting close to the Top 75.

mp3 : The Auteurs – How Could I Be Wrong

I’ve mentioned before how I’m a total sucker for cellos on pop singles, so you can see why I have such a love for this one.  Indeed, it was this song, more than any of the other early releases, that got me interested in The Auteurs. I still find it hard to believe that daytime radio weren’t remotely interested in playing it.

The single was made available on CD as well as two vinyl versions – 10″ and 12″.

There were two new songs made available as b-sides:-

mp3 : The Auteurs – High Diving Horses
mp3 : The Auteurs – Wedding Day

These are decent enough songs. maybe not quite as strong as the previous b-sides, but they were far from mere throwaway efforts.

The 10″ version of the single was a limited edition effort and it also offered up a live version of Staying Power (a b-side of debut single Showgirl) as recorded at a gig in Paris in February 1993.  Sadly, I don’t have a copy….

Worth mentioning that the Paris gig is mentioned quite extensively in Bad Vibes, the first of what have so far been two hugely enjoyable autobiographical volumes written by Luke Haines:-

“Early February and Paris is calling me. France is a country where English rock groups traditionally sell jack shit, and so despite all the press attention in the UK weeklies, no one at the record company has particularly high expectations. Then something happens.  The French press add two and two together and come up with 12. You see the album’s called New Wave – which translates as Nouvelle Vague. The band is called The Auteurs. Auteur theory, Cahiers du Cinema, ah, it all makes sense, a band of English Francophiles. Hell, the singer’s name even means Luke Hatred. The second most touted band in Great Britain seem to have French art house leanings.

“The Cellist, Manager Tony Beard and I fly to Paris to test the water with an acoustic gig at the Passage Nord Ouest…a Bohemian venue close to the Gard du Nord station. (The low-key acoustic promotional gig is a sure sign that the record company thinks the artist is going to tank, so keep the costs down and that’s your lot. Ta very much).

“There’s some kind of movie premiere at a cinema a few hundred yards from the venue and they’re queuing round the block for a glimpse of Gerard Depardieu.  Then it hits me.  The punters aren’t here to worship the old French idol; they’re queuing to get a glimpse of the new one.  C’est moi.  The tiny 250-capacity venue sold out in minutes. We could have filled it three or four times over. The gig is a revelation. The French existentialists listen in religious reverance. The New Wave songs deconstruct perfectly with acoustic guitar and cello.  The audience lap it up, surrendering themselves to abandon at the end of each song. Four standing ovations later and I’m back in the dressing room.”

I’ll return to this very gig in next week’s instalment……


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