The surprise disappearance/takedown of When You Can’t Remember Anything has disturbed and troubled me. I’ve previously had some advance e-mails from SWC or Tim letting me know when things are going a bit tits-up with one or other of them and warning that there might be a bit of turbulence at the blog. Just a few weeks ago, SWC advised he was going overseas to work but that Tim and KC would be looking after things. I noticed on their blog about 10 days or so ago that KC was unwell which meant things were being juggled around a bit and then last week, when I was across in Ireland, I noticed the blog had been removed by the authors.
I’ve dropped the boys a couple of e-mails but had no replies which I find very worrying. I’d be lying if I thought I could carry on here as normal making all sorts of pithy observations when at the back of my mind, and not too far back it must be said, I’m thinking about my friends from south-west England and hoping that everything is okay.
So for the next few days at least, things are going to settle into a bit of a dull routine here at Villain Towers. You’ll get your usual Saturday and Sunday postings and the occasional Charged Particles contribution from Jonny but the daily fare from myself will just be featuring two songs, one which begins with the word ‘This’ and one which has the word ‘That’ in its title. Sometimes by the same singer or band. There will be the usual boring background info supplied but nothing that is going to tax my brain too much as I’m really not in the mood for creative thinking just now.
It was a while back when I wrote about how I fell for Sparks when they appeared on Top of the Pops in 1974. All these years on and they’re still going, probably still known best for that big hit single. Back in 1997 the band released their 17th LP, Plagiarism, in which they offered new takes on old songs with Erasure, Faith No More and Jimmy Somerville drafted in to add their vocal and playing talents to some of the songs. There were actually two versions of This Town….put on the album – one that was quite rocky thanks to the contributions of the afore-mentioned Faith No More and the one I’ve posted today which is an orchestral mix on which legendary producer Tony Visconti worked with them.
mp3 : Tuff Love – That’s Right
Tuff Love are (or maybe were)* a great little indie pop-punk band from Glasgow. Consisting of Julie Eisenstein (guitar, vocals) and Suse Bear (bass, vocals) they first came to my attention back in 2014 when they not only released a debut 10″ EP entitled Junk but seemed to be on the bill of just about every gig I got along to that year. They were occasionally a bit hit n miss in the live setting but as time went on they got more confident, polished and accomplished. Two more EPs, Dross and Dregs, were released in 2015 before Lost Map Records pulled all the tracks together a single LP, Resort, that was issued in early 2016. I saw the band in Glasgow around that time and was well impressed, thinking they would push on from there but they’ve been quiet on the new music front although they were on a lot of summer festival bills later in the year.
Looking up a social media site, there’s a message posted back in February 2017 that says:-
Hello there, just to let you know we’re doing other things just now other than Tuff Love. Thank you for all the support so far/over the past few years. See you soon. Love from Suse and Julie xx
Whether that means the band is no more or there’s a temporary break remains to be seen.
That’s Right is taken from the Dross EP. And it’s 140 seconds of magic.