I can’t put it any better than what you can find over at 2-tone info.
This is slightly edited down to concentrate on the music and leaves out details about some TV appearances, and stops the story at the band’s break-up, although there’s some very interesting stuff beyond that I might return to with a future posting.
“The main instigator behind The Bodysnatchers was fruit and vegetable seller Nicky Summers. Nicky had caught The Specials at an early gig at the Moonlight Club in London and was totally bowled over not only by the music but also by the fact that the crowd seemed to be enjoying themselves so much. So impressed by The Specials was Nicky that she immediately set about forming a band. She placed an ad in the music press for like-minded musicians (The famous story of the replies to the Rude Girls Wanted ad has become a fable within 2 Tone circles) and things soon started to gather pace.
At first the band was a 4 piece but soon expanded to a 7 piece. Among the line-up were a civil servant, a fashion designer, a lifeguard, a secretary, a freelance illustrator and a schoolgirl. As wide and varied as this group of people may have been they did have one thing in common; they could either just about play their instruments or for others it was as case of not been able to play them at all. Of those who could just about manage a few notes they were either self-taught or were given the occasional lesson by boyfriends etc and for those who couldn’t play at all they just “learned to play as they went along”.
Rhoda Dakar Vocals
Nicky Summers Bass
Stella Barker Rhythm Guitar
SJ Owen Lead Guitar
Pennie Leyton Keyboards
Jane Summers * Drums
later replaced by Judy Parsons
Miranda Joyce Saxophone
Now that the line-up was complete, there was the matter of a name for the group and what material to play. They decided on the name Bodysnatchers because they said “the music is body snatching” but deciding on what material to play was less straightforward. Although they had taken inspiration from The Specials, and it was indeed their intention to play ska in its new 2 Tone form, they found the pace of ska was too much for such an inexperienced group of ‘musicians’. Instead, they opted for a slower style in the form of rocksteady. Now that the band had found a style of music within their somewhat limited capabilities, they collected together a number of songs, which would give the band a set to play live. They choose some old reggae/ska songs to cover such as Monkey Spanner, OO7 and a song, which was to become their first single, Let’s Do Rocksteady. Also, among their early set lists was a reggae version of London Bridge Is Falling Down. Once they were confident enough, they composed their first original song, ‘The Boiler’.
The band got their first gig in November 1979 at the Windsor Castle pub in London and at only their second gig were asked by The Selecter to support the band on their forthcoming tour. By the end of 1979 the nation was well and truly in the grip of 2 Tone fever, and it wasn’t longer before the music press was suggesting that The Bodysnatchers would be the labels next signing. So with only a few months experience behind them, they were indeed signed to the label. Their signing didn’t exactly meet with universal approval within the 2 Tone camp, with some voicing concern about what lay in the future for such an inexperienced band. Here was a band that by their own admission were not competent musicians, and they were about to jump under the media spotlight, which was waiting patiently for the label’s first failure.
The Dandy Livingstone song, Let’s Do Rocksteady, was the choice for the band’s debut single. For the b-side the band selected an original composition, Ruder Than You and producer on both tracks was Roger Lomas who was working with Bad Manners at the time. While the band were on tour with The Selecter, the single entered the charts at number 44 and peaked at number 16 which earned them an appearance on Top Of The Pops.
The band had signed a two-single deal with 2 Tone and for the second release an original was selected, Easy Life, and this time a cover version would appear on the b-side. The track chosen was Winston Francis’ Too Experienced and the resulting track stayed faithful to the original. Although the band were pleased with the single, and it certainly deserved a higher position chart than it received (50), by this stage of 1980 2 Tone was beginning to lose its appeal with the record buying public.
The Selecter had announced that they were quitting the label as they felt that 2 Tone had lost direction and with the label’s next signing The Swinging Cats becoming the first 2 Tone single to miss the charts completely it was obvious that the label was no longer the force it once was. The band soldiered on regardless and managed a short headlining tour of their own and picked up the support slot on the Toots and the Maytals tour but by October 1980 the band had played their last gig at Camden’s Music Machine in London. The band cited ‘musical differences’ for their decline, with some wanting to take a more political stance while others wanted to follow a more pop orientated career.”
Here’s all the songs from the two singles:-