It seemed that everyone at the UK record label was happy with the direction Lloyd Cole was heading in. Love Songs had carved out a bit of a niche for him as a talented acoustic-driven singer-songwriter and he spent much of 1996 in a New York studio carving out a new album along such lines, with a number of old friends, including ex-Commotion Neil Clark, flying in to lend a hand.
The completed album was well received by his direct contacts at the label but was vetoed by the head of the company who instead had a plan to put it on ice for the time being and release it in due course on the back of a new compilation album which would feature Commotions and solo material. The request was also made that Lloyd specifically write some new songs which could be released as singles to promote the planned new ‘Best Of’ collection.
Lloyd tried to play the game but everything got bogged down in record company politics. In the meantime, he got himself in and out of studios to cut songs for compilation albums and pulled together a new band called The Negatives, made up of NYC musicians, with who he played with live as well as putting down some tracks in the studio in the hope of them being released.
It took an eternity to get round to issuing the best of record, during which time Lloyd’s recording career was in limbo. The decision was taken to work with producers Clive Langer and Alan Winstanley who had delivered Easy Pieces back in the days of the Commotions but it didn’t quite go fully to plan. Stephen Street, with whom Lloyd had worked on Love Songs, was brought into polish things off on two new potential hit singles.
The label bosses were still far from happy and declined to release either of the two new songs, leading to the farcical situation of The Collection (as it was entitled) to be issued without Lloyd being able to get out on the promotional trail. And to add insult to injury, the label further declined to allow the 1996 album to be released….and indeed came to a parting of the ways with the singer.
Messy doesn’t come close to describing the situation.
Here’s some of what was made available publicly available in this period of time:-
An ironic song to cover given the circumstances he was in at that time, this was recorded in 1997 for inclusion on a compilation album of Burt Bacharach covers. The other irony being that just a few years after releasing half an album of Bacharach inspired songs on Don’t Get Weird With Me Baby, this cover is just vocals and guitars.
Another contribution to a compilation entitled Pop Romantique : French Pop Classics, this time in 1998. The request had been for a French song but Lloyd felt he couldn’t pull that off and so he went for Bob Dylan‘s 1965 single If You’ve Gotta Go, Go Now but as interpreted and taken into the charts by Fairport Convention in 1969.
mp3 : Lloyd Cole – Romany Soup
The same folk behind the Burt Bacharach project, which had been part of a series of records under the title of Great Jewish Music, got in touch to ask Lloyd if he’d care to contribute to another album in the series, this time featuring songs by one of his heroes, Marc Bolan. The track selected was from 1969 and the Tyrannosaurus Rex days.
Finally, there were two new songs which made it onto The Collection, with one being a re-working of a song that had been recorded with The Negatives. it was also supposed to be the lead off single for the compilation but was shelved everywhere, except for some strange reason, in Germany:-
mp3 : Lloyd Cole – That Boy
Really can’t fathom why it wasn’t allowed to be released as a stand-alone 45.
The b-sides of that release included the English version of the track recorded for the French compilation album and a song which had been co-written with Stephen Lindsay of The Big Dish which had almost made it onto Love Songs:-
The other new song had been originally been recorded for the 1996 album that seemed as if it was ever unlikely to see the light of day; again, it would have made for a decent stand-alone 45:-
But, as you may have gathered from the way this series is unfolding, things would take another unusual turn in the coming years.