A GUEST SERIES by DAVE GLICKMANN
The final part of our series on the Joy Division/New Order transition will tell the story of the, previously mentioned, Western Works session.
As I said in Part 1, I would be stealing quite liberally from the previous work of Analog Loyalist (A.L.); that is even more so the case here. For those interested in exploring A.L.’s work further, let me refer you to two older blogs – New Order Archive and The Power Of Independent Trucking. Regrettably, his work with the Recycle Project no longer resides on the web, though perhaps you might be able to rescue some of it with the Wayback Machine.
A.L., himself, did the mastering of the tracks from the tape reel pictured above, first in 2009, and then again in 2012. Here is his version of the story:
As Joy Division, they were close with Sheffield’s Cabaret Voltaire, having shared several gigs and compilation records with the Cabs. At some point, JD was going to work with the Cabs in the Cabs’ own Western Works Studio in Sheffield, but this opportunity had not yet come to pass at the time of Ian’s death.
Suddenly with no lead singer and a wide-open new beginning, the survivors (now known as New Order) took the Cabs up on their offer and decamped to Western Works on 7 September 1980, just two days after their third gig post-Ian. Safely away from the spotlight, and with no Martin Hannett to impose his will on the session, the band laid down several tracks with the Cabs’ Chris Watson engineering.
These tracks show the band’s emotions – both musical and lyrical – laid out to bare themselves to the world. Hesitant yet brave, restrained yet oddly forward-looking, New Order find themselves seeking the path at this very early stage – a path that would not be truly explored publicly for at least another 12 months – that would lead them out of the Joy Division shadow into completely new realms of song craft.
This material has been circulating amongst New Order fans since the early 1980s but never before heard by the general public in this release-ready quality.
Kind souls, who wish to remain anonymous rescued this material from a 1/4″ reel of tape that was up for auction on eBay, advertised as something else, and it was only in the reel transfer that it was discovered what this reel actually contained. It’s been theorized that if this is not the master reel itself from the studio mixdown sessions, it’s at the very least a direct, professional copy of it.
The reel was advertised as being rescued in a Chorlton charity shop, and was described as containing “unreleased” Joy Division mixes, specifically “She’s Lost Control” and “Atmosphere”. Alas, neither are unreleased mixes – the reel contained test pressing vinyl captures of the FACUS2 “She’s Lost Control” b/w “Atmosphere” 12″ single, and a transfer of the Sordide Sentimental 7″ “Atmosphere”, presumably for comparison sake. Nothing JD on the reel was unreleased, and in fact both were of fairly poor quality for a vinyl transfer to reel. Not listed on the reel, and not mentioned in the auction description, was the New Order material.
So what New Order material was on the reel?
1. Dreams Never End (mix 1)
2. Dreams Never End (mix 2)
6. Are You Ready Are You Ready Are You Ready For This?
We’ve already taken a look at Homage and Ceremony in previous installments of this series. A.L. will take you through the rest:
First we have two different mixes – but the same base recording – of “Dreams Never End”. The first version is the common version that had already circulated – albeit in much poorer quality – amongst the fans. The second version, however, is a heretofore-unknown alternate mix featuring much louder guitars than the original take – but besides that, it’s identical to the first take. Both takes slower than the version eventually recorded for the debut LP in 1981, this track even more so sounds like bassist (and singer on this track) Peter Hook’s own little memorial to Ian. “A long farewell to your love and soul” indeed.
Steve Morris is on lead vocals for this version of “Truth” which, even at this early stage, is remarkably similar to what they’d end up doing with the track when recording it for their debut LP in 1981 (except with Bernard on vocals). I particularly like this version though, it’s much more poignant, fragile and spacious – as it should be – than the released variant.
The biggest revelation of the reel: A heretofore-unknown new New Order track, or rather, a collaboration with the Cabs and New Order, featuring none other than NO manager Rob Gretton on lead vocals! What is special about “Are You Ready…” though is that, Rob’s vocals aside, musically it shows the band taking great liberties with the established Joy Division sound – and the early New Order sound – and is very much so a signpost to the musical path the band would further explore starting with fall 1981’s “Everything’s Gone Green”.
Those who have had doubts about New Order’s involvement in the NO/Cabs jam “Are You Ready Are You Ready Are You Ready For This?” – doubt no further. A member of New Order – who was, of course, there at the time, he was in the band! – was the direct, to me, source of this information, not secondhand or third hand.
When the reel was obtained, this track was completely unknown and it was just pure speculation at the time that it was a Cabs/NO jam. I had this New Order member identify it for me – it was he who revealed its title to me – and this same member also confirmed the instrumentation:
Hooky – bass
Bernard – guitar (and “whooping” in the background)
Steve – Simmons drums, and the same Dr Rhythm drum machine used on Truth
Rob Gretton – vocals
various Cabs – sonic alterations
Many of you may already be familiar with this material, but for those of you who are not, I will wait just a minute for you to pick up your jaws off the floor.